Statement

 

My paintings fuse pictorial language from three different cultural and religious traditions – Eastern Hindu-Buddhist, Middle Eastern Islamic, and European Judeo-Christian. I do not make religious art: I view my work as entirely secular. But secularism does not preclude the spiritual, the contemplative, the mystical, or the sacred. If pressed I would admit I think all art making is devotional. I believe when we are telling stories, singing, dancing, drawing, carving, we are directly engaged in spiritual activities that takes us out of time into a different realm.

Sumptuous, intricate, ornamented, my current paintings are richly referential – they call to mind a range of associations from mandalas, the cosmos, cells, lace, brocade and more. I align myself with the long tradition of geometric and floral ornamentation the Far Eastern, Middle Eastern, and European craftsmen have long employed. They did so with the implicit understanding that pattern and repetition, which are endemic in nature, are primal in their rhythmic connection to the human nervous system.

I identify my work with the long tradition of visual artists interested in notions of cosmology. I am, as my friend the artist Thomas Lyon Mills says, painting worlds within worlds with the aim of revealing profound, contemplative, slow, truths.